She screamed again and scrabbled backward, half-falling off the bed. She hit the cold stone floor, and the fabric of the white nightdress she was wearing—someone must have put it on her while she was unconscious—ripped at the hem as she scrambled to her feet.
“Miss Gray.” Someone was calling her name, but in her panic, she knew only that the voice was unfamiliar. The speaker was not the monster who stood staring at her from the bedside, its scarred face impassive; it had not moved when she did, and though it showed no signs of pursuing her, she began to back away, carefully, feeling behind herself for a door. The room was so dim, she could see only that it was roughly oval, the walls and floor all of stone. The ceiling was high enough to be in black shadow, and there were long windows across the opposite wall, the sort of arched windows that might have belonged in a church. Very little light filtered through them; it looked as if the sky outside was dark. “Theresa Gray—”
She found the door, the metal handle; turning, she seized on it thankfully, and pulled. Nothing happened. A sob rose up in her throat.
“Miss Gray!” the voice said again, and suddenly the room was flooded with light—a sharp, white-silver light that she recognized. “Miss Gray, I am sorry. It was not our intention to frighten you.” The voice was a woman’s: still unfamiliar, but youthful and concerned. “Miss Gray, please.”
Tessa turned slowly and put her back against the door. She could see clearly now. She was in a stone room whose central focus was a large, four-poster bed, its velvet coverlet now rucked and hanging sideways where she had dragged it off the mattress. Tapestry curtains were pulled back, and there was an elegant tapestry rug on the otherwise bare floor. In fact, the room itself was fairly bare. There were no pictures or photographs hanging on the wall, no ornaments cluttering the surfaces of the dark wood furniture. Two chairs stood facing each other near the bed, with a small tea table between them. A Chinese screen in one corner of the room hid what were probably a bathtub and washstand.
Beside the bed stood a tall man who wore robes like a monk’s, of a long, coarse, parchment-colored material. Red-brown runes circled the cuffs and hem. He carried a silver staff, its head carved in the shape of an angel and runes decorating its length. The hood of his robe was down, leaving bare his scarred, white, blinded face.
Beside him stood a very small woman, almost child-size, with thick brown hair knotted at the nape of her neck, and a neat, clever little face with bright, dark eyes like a bird’s. She wasn’t pretty exactly, but there was a calm, kindly look on her face that made the ache of panic in Tessa’s stomach ease slightly, though she couldn’t have said exactly why. In her hand she held a glowing white stone like the one Will had held at the Dark House. Its light blazed out between her fingers, illuminating the room.
“Miss Gray,” she said. “I am Charlotte Branwell, head of the London Institute, and this beside me is Brother Enoch—”
“What kind of monster is he?” Tessa whispered.
Brother Enoch said nothing. He was entirely expressionless.
“I know there are monsters on this earth,” said Tessa. “You cannot tell me otherwise. I have seen them.”
“I would not want to tell you otherwise,” said Mrs. Branwell. “If the world were not full of monsters, there would be no need for Shadowhunters.”
Shadowhunter. What the Dark Sisters had called Will Herondale.
Will. “I was—Will was with me,” said Tessa, her voice shaking. “In the cellars. Will said—” She broke off and cringed inwardly. She should not have called Will by his Christian name; it implied an intimacy between them that did not exist. “Where is Mr. Herondale?”
“He’s here,” Mrs. Branwell said calmly. “In the Institute.”
“Did he bring me here as well?” Tessa whispered.
“Yes, but there is no need to look betrayed, Miss Gray. You had struck your head quite hard, and Will was concerned about you. Brother Enoch, though his looks might frighten you, is a skilled practitioner of medicine. He has determined that your head injury is slight, and in the main you are suffering from shock and nervous anxiety. In fact, it might be for the best if you sat down now. Hovering barefoot by the door like that will only give you a chill, and do you little good.”
“You mean because I can’t run,” Tessa said, licking her dry lips. “I can’t get away.”
“If you demand to get away, as you put it, after we have talked, I will let you go,” said Mrs. Branwell. “The Nephilim do not trap Downworlders under duress. The Accords forbid it.”
“The Accords?”
Mrs. Branwell hesitated, then turned to Brother Enoch and said something to him in a low voice. Much to Tessa’s relief, he drew up the hood of his parchment-colored robes, hiding his face. A moment later he was moving toward Tessa; she stepped back hurriedly and he opened the door, pausing only for a moment on the threshold.
In that moment, he spoke to Tessa. Or perhaps “spoke” was not the word for it: She heard his voice inside her head, rather than outside it. You are Eidolon, Theresa Gray. Shape-changer. But not of a sort that is familiar to me. There is no demon’s mark on you.
Shape-changer. He knew what she was. She stared at him, her heart pounding, as he went through the door and closed it behind him. Tessa knew somehow that if she were to run to the door and try the handle she would once again find it locked, but the urge to escape had left her. Her knees felt as if they had turned to water. She sank down in one of the large chairs by the bed.
“What is it?” Mrs. Branwell asked, moving to sit in the chair opposite Tessa’s. Her dress hung so loosely on her small frame, it was impossible to tell if she wore a corset beneath it, and the bones in her small wrists were like a child’s. “What did he say to you?”
Tessa shook her head, gripping her hands together in her lap so that Mrs. Branwell could not see her fingers trembling.
Mrs. Branwell looked at her keenly. “First,” she said, “please call me Charlotte, Miss Gray. Everyone in the Institute does. We Shadowhunters are not so formal as most.”
Tessa nodded, feeling her cheeks flush. It was hard to tell how old Charlotte was; she was so small that she looked quite young indeed, but her air of authority made her seem older, old enough that the idea of calling her by her Christian name seemed very odd. Still, as Aunt Harriet would have said, when in Rome . . .
“Charlotte,” Tessa said, experimentally.
With a smile, Mrs. Branwell—Charlotte—leaned back slightly in her chair, and Tessa saw with some surprise that she had dark tattoos. A woman with tattoos! Her marks were like the ones Will bore: visible on her wrists below the tight cuffs of her dress, with one like an eye on the back of her left hand. “Second, let me tell you what I already know about you, Theresa Gray.” She spoke in the same calm tone she’d had before, but her eyes, though still kind, were sharp as pins. “You’re American. You came here from New York City because you were following your brother, who had sent you a steamship ticket. His name is Nathaniel.”
Tessa sat frozen. “How do you know all this?”
“I know that Will found you in the Dark Sisters’ house,” Charlotte said. “I know that you claimed someone named the Magister was coming for you. I know that you have no idea who the Magister is. And I know that in a battle with the Dark Sisters, you were rendered unconscious and brought here.”
Charlotte’s words were like a key unlocking a door. Suddenly Tessa remembered. Remembered running with Will down the corridor; remembered the metal doors and the room full of blood on the other side; remembered Mrs. Black, her head severed; remembered Will flinging his knife—
“Mrs. Black,” she whispered.
“Dead,” said Charlotte. “Very.” She settled her shoulders against the back of the chair; she was so slight that the chair rose up high above her, as if she were a child sitting in a parent’s chair.
“And Mrs. Dark?”
“Gone. We searched the whole house, and the nearby area, but found no trace of her.”
Clockwork Angel (The Infernal Devices #1)
Cassandra Clare's books
- City of Bones (The Mortal Instruments #1)
- Clockwork Prince (The Infernal Devices, #2)
- Clockwork Princess (The Infernal Devices, #3 )
- The Midnight Heir (The Bane Chronicles, #4)
- The Rise of the Hotel Dumort (The Bane Chronicles, #5)
- The Runaway Queen (The Bane Chronicles #2)
- Vampires, Scones, and Edmund Herondale
- What Really Happened in Peru (The Bane Chronicles, #1)
- City of Heavenly Fire
- The City of Fallen Angels (Mortal Instruments 4)
- SHADOWHUNTERS AND DOWNWORLDERS
- City of Lost Souls