Little, Big

IV.

Itur in antiquam silvam, stabula alta ferrarum.

—Aeneid, Book VI

While Daily Alice thought and Sophie watched and slept, while Ariel Hawksquill flew along foggy country roads to meet a train at a northern station, Auberon and George Mouse sat close to a small fire, wondering what place it was that Fred Savage had led them to, and unable to remember in any clear way just how they had got there.


Storm of Difference

They'd started off some time ago, it seemed to them; they'd begun by making preparations, going through George's old trunks and bureaus outfitting themselves, though since they had had not much idea at all of what dangers or difficulties they would meet, this had been haphazard; George found and tossed out sweaters, flaccid knapsacks, knitted caps, galoshes.

"Say," Fred said, tugging a cap over his wild hair. "Long time since I wore one of these here."

"What good is all this, though?" Auberon said, standing aside, hands in his pockets.

"Well, listen," George said. Better safe than sorry. Forewarned is forearmed."

"You'd about need to be four-armed," said Fred, holding up an immense poncho, "for thisere to do you much good."

"This is stupid," Auberon said. "I mean . . ."

"Okay, okay," George said angrily, flourishing a large pistol he had just then found in the trunk, "okay, you decide, Mr. Know-it-all. Just don't say I didn't warn you." He thrust the gun in his belt, then changed his mind and tossed it back. "Hey, how about this?" It was a twenty-bladed jackknife with a thousand uses. "God, I haven't seen this in years."

"Nice," Fred said, levering out the corkscrew with a yellow thumbnail. "Ver' nice. And handy."

Auberon went on watching, hands in pockets, but made no further objection; after a moment he no longer watched. Ever since Lilac's appearance at Old Law Farm he had had immense difficulty in remaining for any length of time in the world; he seemed only to enter and leave particular scenes, which had no connection with each other, like the rooms of a house whose plan he couldn't fathom, or didn't care to try to fathom. He supposed, sometimes, that he was going mad, but though the thought seemed reasonable enough and an explanation of sorts, it left him oddly unmoved. For sure an enormous difference had suddenly come over the nature of things, but just what that difference was he couldn't put his finger on: or rather, any individual thing he did put his finger on (a street, an apple, any thought, any memory) seemed no different, seemed to be now just what it had always been, and yet the difference remained. "Same difference," George often said, about two things that were more or less alike; but for Auberon the phrase had come to designate his sense of one thing, one thing that had Somehow become—and was probably now for good—more or less different.

Same difference.

Probably, though (he didn't know, but it seemed likely) this difference hadn't come about suddenly at all, it was only that he had suddenly come to notice it, to inhabit it. It had dawned on him, is all; it had grown clear to him, like breaking weather. And he foresaw a time (with only a faint shudder of apprehension) when he would no longer notice the difference, or remember that things had ever been, or rather not been, different; and after that a time when storms of difference would succeed one another as they liked, and he would never notice.

Already he found himself forgetting that something like an occluded front seemed to have swept over his memories of Sylvie, which he had thought as hard and changeless as anything he owned, but which when he touched them now seemed to have turned to autumn leaves like fairy gold, turned to wet earth, staghorn, snails' shells, fauns' feet.

"What?" he said.

"Put this on," George said, and gave him a sheath knife on whose sheath, dimly printed in gold, were the words "Ausable Chasm," which meant nothing to Auberon; but he looped it through his belt, not able to think just then why he might rather not.

Certainly this drifting in and out of what seemed to be chapters of fiction with blank pages in between had helped out with a hard task he had had to do: wrapping up (as he had thought he would never need to) the tale told on "A World Elsewhere." To wrap up a tale whose wrapping-up was in the very nature of it not conceivable—hard! And yet he had only had to sit before the nearlyshot typewriter (so much had it suffered) for concluding chapters to begin to unfold as clearly, as cleverly, as impossibly as an endless chain of colored scarves from the empty fist of a magician. How does a tale end that was only a promise of no ending? In the same way as a difference comes to inhabit a world that is otherwise the same in all respects; in the same way that a picture which shows a complex urn alters, as you stare at it, to two faces contemplating each other.

He fulfilled the promise, that it wouldn't end: and that was the end. That's all.

Just how he had done it, just what scenes he stabbed out on the twenty-six alphabetical buttons and their associates, what words were said, what deaths came to pass, what births, he couldn't remember afterwards; they were the dreams of a man who dreams he dreams, imaginary imagination, insubstantialities set up in a world itself gone insubstantial. Whether they would be produced at all, and what effect they would have Out There if they were, what spell they might cast or break, he couldn't imagine. He only sent Fred off with the once-unimaginable last pages, and thought, laughing, of that schoolboy device he had once used, that last line that every schoolboy had once used to complete some wild self-indulgent fantasy otherwise uncompletable: then he woke up.

Then he woke up.

The phrases of his fugue with the world touched each other. The three of them, he, George, and Fred, stood booted and armed before the maw of a subway entrance: a cold spring day like a messy bed where the world still slept.

"Uptown? Downtown?" George asked.


Watch Your Step

Auberon had suggested other doors, or what had seemed to him might be doors: a pavilion in a locked park to which he had the key; an uptown building that had been Sylvie's last destination as a Wingéd messenger; a barrel vault deep beneath the Terminus, nexus of four corridors. But Fred was leading this expedition.

"A ferry," he said. "Now if we's to take a ferry, we surely will cross a river. So now not countin' the Bronx and the Harlem, not countin' no Kills and no Spuyten Duyvil which is really th'ocean, not goan so far north as the Saw Mill, and settin' aside the East and the Hudson which got bridges, you still got a mess more of rivers to consider, yunnastan, only, here's the thang, they runnin' underground now all unseen; covered up with streets and folks' houses and plays-a-business; shootin' through ser-pipes and pressed down to trickles and rivulets and like that; stopped up, drove down deep into the rock where they turn into seep and what you call your groundwater; stillthere though, y'see, y'see, so we gots to first find the river to cross, and then we gots to cross it next; and if the mose of 'em is underground, underground is where we gots to go."

"Okay," George said.

"Okay," Auberon said.

"Watch your step," Fred said.

They went down, stepping carefully as though in an unfamiliar place, though all of them were familiar with it, it was only The Train with its caves and dens, its mad signs pointing in contradictory directions, no help for the lost, and its seep of inky water and far-off borborygmic rumbles.

Auberon stopped, half-way down the stairs.

"Wait a sec," he said. "Wait."

"Wazza matter?" George said, looking quickly around.

"This is crazy," Auberon said. "This can't be right." Fred had gone ahead, had rounded the corner, waving them on. George stood between, looking after Fred and up at Auberon.

"Let's go, let's go," George said.

This would be hard, very hard, Auberon thought, following reluctantly; far harder to yield to than to the blank passages and discomfitures of his old drunkenness. And yet the skills he had learned in that long binge—how to yield up control, how to ignore shame and make a spectacle of himself, how not to question circumstances or at least not be surprised when no answers to questions could be found—those skills were all he had now, all the gear he could bring to this expedition. Even with them he doubted he would get to the end; without them, he thought, he would not have been able to start off.

"Okay, wait," he said, turning after the others into deeper places. "Hold on."

And what if he had been put through that awful time, basic training, only so that now (snow-blind, sun-struck) he could live through this storm of difference, make his way through this dark wood?

No. It was Sylvie who had set him on that path; or rather Sylvie's absence.

Sylvie's absence. And what if Sylvie's absence, what if her presence in his life in the first place, God what if her very love and beauty had been plotted from the beginning, to make him a drunk, to teach him those skills, to train him in pathfinding, to immure him at Old Law Farm for years to wait for news without knowing he waited, to wait for Lilac to come with promises or lies to stir his heart's ashes into flame again, and all for some purpose of their own, which had nothing to do with him, or with Sylvie either?

All right: supposing there was to be this Parliament, supposing that that wasn't just lies as well and that he would come Somehow face to face with them, he had some questions to ask, and some good answers to get. Come to that, let him only find Sylvie, and he had some tough questions he could put to her about her part in all this, some damn tough questions; only let him find her. Only, only let him find her.

Even as he thought this he saw, leaping from the last stair of a rachitic escalator, down there, a blond girl in a blue dress, bright in the brown darkness.

She looked back once and (seeing that they saw her) turned around a stanchion where a notice was posted: HOLD ONTO YOUR HATS.

"I think this is the way," George called. A train roared through just at that moment, as they were gathering to run downward; the wind of its passage snatched at their hats, but their hands were quicker. "Right?" George said, hand on his hat, shouting over the trains enfilade.

"Yup," Fred said, holding his. "I was about to say."

They went down. Auberon followed. Promises or lies, he had no choice, and for sure they had known that all along too, for had it not been they who had at first thus cursed him? He sensed with a terrible clarity all the circumstances of his life, not excepting this foul underground now and these stairs down, take hands in a chain one after another, not one left out; they linked up, they unmasked, they seized him by the throat, they shook him, shook him, shook him till he woke up.

Fred Savage was returning from the woods with a bundle of sticks to feed the fire.

"Mess o' folks out there," he said with satisfaction as he stuck sticks into the embers. "Mess o' folks."

"Oh yeah?" George said with some alarm. "Wild animals?"

"Could be," Fred said. His white teeth shone. In watch cap and poncho he looked ancient, a shapeless hump, like a wise old stumpwater toad. George and Auheron hunched a little closer to the feeble flames, and pricked up their ears, and looked around them into the complex darkness.


A Family Thing

They had not come very far into this wood from the river's edge, where the ferry had let them off, before darkness overtook them and Fred Savage called a halt. Even as the ancient, gray, knocking, creaking boat had slid downstream along its line they watched the red sun sinking behind the still-leafless great trees, bitten into crimson bits by undergrowth, and then swallowed. It had all looked fearsome and strange, yet George said:

"I think I've been here. Before."

"Oh yeah?" Auberon said. They stood together in the bow. Fred, sitting astern, legs crossed, made remarks to the aged aged ferryman, who said nothing in response.

"Well, not been here," George said. "But sort of." Whose adventures here, in this boat, in those woods, had he known about, and how had he come to know about them? God, his memory had turned to a dry sponge lately. "I dunno," he said, and looked curiously at Auberon. "I dunno. Only—" He looked back at the shore they had come from, and at the one they slid toward, holding his hat against the river breezes. "Only it seems—aren't we going the wrong way?"

"I can't imagine that," Auberon said.

"No," George said, "can't be . . ." Yet the feeling persisted, that they travelled back-toward and not away-from. It must be, he thought, that same disorientation he sometimes experienced emerging from the subway into an unfamiliar neighborhood, where he got uptown and downtown reversed, and could not make the island turn around in his mind and lie right, not the street-signs nor even the sun's position could dissuade him, as though he were caught in a mirror. "Well," he said, and shrugged.

But he had jogged Auberon's memory. He knew this ferry too: or at any rate he had heard of it. They were approaching the bank, and the ferryman laid up his long pole and came forward to tie up. Auberon looked down on his bald head and gray beard, but the ferryman didn't look up. "Did you," Auberon said, "did you once," now how was he to put this, "was there a girl, a dark girl once, who, a time some time ago, well worked for you?"

The ferryman with long, strong arms hauled on the ferry's line. He looked up at Auberon with eyes as blue and opaque as sky.

"Named Sylvie?" Auberon asked.

"Sylvie?" said the ferryman.

The boat, groaning against its stub of dock, came to rest. The ferryman held out his hand, and George put into it the shiny coin he had brought to pay him with.

"Sylvie," George said by the fire. His arms were around his drawn-up knees. "Did you think," he went on, "I mean I sort of thought, didn't you, that this was sort of a family thing?"

"Family thing?"

"All this, I mean," George said vaguely. "I thought it might only be the family that got into this, you know, from Violet."

"I did think that," Auberon said. "But then, Sylvie."

"Yeah," George said. "That's what I mean."

"But," Auberon said, "it still might, I mean all that about Sylvie might be a lie. They'll say anything. Anything."

George stared into the fire a time, and then said: "Mm. Well, I think I have a confession to make. Sort of."

"What do you mean?"

"Sylvie," George said. "Maybe it is family."

"I mean," he went on, "that maybe she's family. I'm not sure, but . . . Well, way back when, twenty-five years ago, oh more, there was this woman I knew. Puerto Rican. A real charmer. Bats, completely. But beautiful." He laughed. "A spitfire, in fact. The only word. She was renting at the place, this was before the Farm, she was renting this little apartment. Well, to tell the truth she was renting the Folding Bedroom."

"Oh. Oh," Auberon said.

"Man, she was something. I came up once and she was doing the dishes, in a pair of high heels. Doing the dishes in red high heels. I dunno, something clicked."

"Hm," Auberon said.

"And, well." George sighed. "She had a couple of kids somewhere. I got the idea that whenever she got pregnant she'd go nuts. In a quiet way, you know. So, hey, I was careful. But."

"Jeez, George."

"And she did sort of go off the deep end. I don't know why, I mean she never told me. She just went—and went back to P.R. Never saw her again."

"So," Auberon said.

"So." He cleared his throat. "So Sylvie did look a lot like her. And she did find the Farm. I mean she just showed up. And never told me how."

"Good grief," Auberon said, as the implications of this sank in. "Good grief, is this true?"

George held up an honest palm.

"But did she . . ."

"No. Said nothing. Name wasn't the same, but then it wouldn't have been. And her mother was off, she said, gone, I never met her."

"But surely you, didn't you . . ."

"To tell you the truth, man," George said, "I never really inquired into it too closely."

Auberon was silent a time, marveling. She had been plotted, then; if all their lives were, and she was one of them. He said: "I wonder what she . . . I mean I wonder what she thought."

"Yeah." George nodded. "Yeah, well, that's a good question all around, isn't it. A damn good question."

"She used to say," Auberon said, "that you were like a . . ."

"I know what she used to say."

"God, George, then how could you have . . ."

"I wasn't sure. How could I be sure? They all look sort of alike, that type."

"Boy, you're really given to that, aren't you?" Auberon said in awe. "You really . . ."

"Gimme a break," George said. "I wasn't sure. I thought, hell, probably not."

"Well." The two cousins stared into the fire. "That does explain it, though," Auberon said. "This. If it is family."

"That's what I thought," George said.

"Yeah," Auberon said.

"Yeah?" Fred Savage said. They looked up at him, startled. "Then what in hell 'm I doin' here?"

He looked from one to the other, grinning, his dull, living eyes amused. "Y'see?" he said.

"Well," George said.

"Well," Auberon said.

"Y'see?" Fred said again. "What in hell 'm I doin here?" His yellow eyes closed and opened, and so did the many yellow eyes in the woods behind him. He shook his head as though at a puzzle, but he wasn't really puzzled. He never seriously asked such a question, what was he doing where he was, except when it amused him to watch others consider it in consternation. Consternation, and considering, thought itself in fact, were mostly a spectacle to him; a man who had long since given up making any distinction between the place behind his closed black lids and the place before him when they were open, he was hard to confuse, and as for this place, Fred Savage didn't really wonder; he didn't bother himself supposing he had ever lived anyplace else.

"Teasin'," he said softly and kindly to his two friends. "Teasin'."

He kept vigil for a while, or slept, or both, or neither. Night passed. He saw a path. In the blue dawn, birds awaking, fire cold, he saw the same path, or another, there between trees. He woke George and Auberon, a huddled pile, and with his index brown and gnarled and dirt-clogged as a root, he pointed it out to them.


A Watch and a Pipe

George Mouse looked around himself, swept with uneasy wonder. He had been feeling, since the first steps they had taken on the path which Fred had found, that none of it was as strange as it ought to be, or as unknown to him. And here in this spot (no different otherwise, as thick with undergrowth, as overwhelmed with towering trees) the feeling had grown much stronger. His feet had stood in this place before. In fact they had rarely been far from it.

"Wait," he said to Fred and Auberon, who were stumbling ahead, looking for the path's continuation. "Wait a sec."

They stopped, looking back.

George looked up, down, left, right. Right: there, he could sense more than see it, was a clearing. Air more gold and blue than the forest's gray was beyond that row of guardian trees.

That row of guardian trees . . .

"You know," he said, "I get the feeling we haven't come all that far, after all."

But the others were too far on to hear him. "Come on, George," Auberon called.

George pulled himself from the spot, and followed. But he had taken only a few steps when he felt himself drawn back.

Damn. He stopped.

The forest was, it was hard to believe it of a mess of vegetation but it was so, the forest was like a huge suite of rooms, you stepped through doors continually out of one place into a very different place. Five steps were all it had taken him to leave the place where he had felt so familiar. He wanted to go back; he wanted very much to go back.

"Well, just wait a second," he called out to his companions, but they didn't turn back, they were already elsewhere. The calls of birds seemed louder than George's own call. In a quandary, he took two steps in the direction they had gone, and then, drawn by a curiosity stronger than fear, returned to the place where the clearing could be glimpsed.

It didn't seem far. There seemed even to be a path in that direction.

The path led him down, and almost at once the guardian trees and the patch of sunlight he had seen were gone. Very soon after that the path was gone too. And very soon after that George forgot completely what had caused him to take this way.

He walked on a bit, his boots sinking into soft earth, and his coat clawed at by harsh, marsh-living bushes. Where? For what? He stood stock still, but began to sink, and pulled himself forward. The forest sang all around him, blocking his ears to his own thoughts. George forgot who he was.

He stopped again. It was dark yet bright, the trees all in a moment seemed to have bloomed a chartreuse cloudiness, spring had come. And why was he here, afraid, in this place, when and where was this, what had become of him? Who was he? He began searching in his pockets, not knowing what he would find but hoping for a clue as to who this was here and what he was doing.

From one pocket he pulled out a blackened pipe, which meant nothing to him though he turned it and turned it in his hand; from the other he pulled out an old pocket watch.

The watch: yes. He couldn't read its moustached face, which was grinning at him disconcertingly, but this was definitely a clue. A watch in his hand. Yes.

He had, no doubt (he could almost remember it) taken a pill. A new drug he was experimenting with, a drug of astonishing, of just unheard-of potency. That had been some time ago, yes, by the watch, and the pill had done this to him: had snatched away his memory, even his memory of having taken the pill, and set him to struggle in a wholly imaginary landscape, my God a pill so potent that it could build a forest complete with bilberries and birdsong inside his head for the homunculus of himself to wander in! But this imaginary woods was still interpenetrated, faintly, by the real: he had in his hand the watch, the watch by which he had intended to time the new drug's working. He had had it in his hand the whole time, and had only now, because the pill's effect was wearing off, imagined that he had taken it out of his pocket to consult it—had imagined that he had taken it out because with the pill's wearing off he was coming to himself again, by slow stages, and the real watch was intruding into the unreal forest. In a moment, any moment, the terrible leaf-jewelled forest would fade and he would begin to see through it the room where he in fact sat with the watch in his hand: the library of his townhouse, on the third floor, on the couch. Yes! Where he had sat motionless for who knew how long, the pill made it seem a lifetime; and around him, waiting for his response, his description, would be his friends, who had watched with him. Any second now their faces would swim into reality, as the watch had: Franz and Smoky and Alice, coalescing in the dusty old library where they had so often sat, their faces anxious, gleeful, and expectant: what was it like, George? What was it like? And he would for a long time only shake his head and make inarticulate round noises, unable till firm reality reasserted itself to speak of it.

"Yes; yes," George said, near to tears of relief that he remembered, "I remember, I remember;" and even as he was saying that, he slipped the watch back into his pocket, turning his head in the greening landscape. "I remember . . ." He pulled a boot from the mud, and the other boot, and no longer remembered.

A row of guardian trees, and a clearing where sunlight fell, and a suggestion of cultivation. On ahead. Ahead: only now he was stumbling downward over mossy rocks black with wetness, stumbling toward a ravine through which a cold stream ran rushing. He breathed its moist breath. There was a rude bridge there, much fallen, where floating branches caught and white water swirled; looks dangerous; and a hard climb beyond that; and as he put a cautious foot on the bridge, afraid and breathing hard, he forgot what it was he toiled toward, and at the next step (a loose crosspiece, he steadied himself) forgot who he was that toiled or why, and at the next step, the middle of the bridge, realized that he had forgotten.

Why did he find himself staring down into water? What was going on here anyway? He put his hands into his pockets hoping to find something that would give him a clue. He took out an old pocket watch, which meant nothing to him, and a blackened, small-bowled pipe.

He turned the pipe in his hands. A pipe: yes. "I remember," he said vaguely. The pipe, the pipe. Yes. His basement. Down in the basement of a building on his block he had discovered an ancient cache, an amazing, a hilarious find. Amazing stuff! He had smoked some, in this pipe, that must be it: there in that blackened bowl. He could see bits of cindery consumed resin, it was all in him now, and this—this!—was the effect. Never, never had he known a rush so total, so involving! He had been swept away; he was no longer standing where he had been standing when he had put match to the pipe's contents—on a bridge, yes, a stone bridge up in the Park, where he had gone to share a pipe with Sylvie—but in some weird woods, so real he could smell them, so swept away that he seemed to have been clambering forgetful of who he was in this woods for hours, forever, when in fact (he remembered, he remembered clearly) he had only at this moment lowered the pipe from his lips—here it still was in his hands, before his eyes. Yes: it had reappeared first, first sign of his alighting from a no doubt quite short but utterly ravishing rush; Sylvie's face, in an old peau-de-soie black hat, would come next. He was even now about to turn to her (the hash-created woods discreating themselves and the littered brownish winter Park assembling itself around him) and say: "Hm, ha, strong stuff, watch it, STRONG stuff;" and she, laughing at his swept-away expression, would make some Sylvie remark as she took the pipe from him:

"I see, I remember," he said, like a charm, but he had already a terrible percipience that this was not the first time he had remembered, no indeed, once before he had remembered it all but remembered it all differently. Once before? No, oh no, perhaps many times, oh no oh no: he stood frozen as the possibility of an endless series of remembrances, each one different but all made out of a small moment in the woods, occurred to him: an infinite series endlessly repeated, oh I remember, I remember, each one extending a lifetimewards out from one small, one very small moment (a turn of the head only, a step of the foot) in an absolutely inexplicable woods. George, seeing it so, felt he had been suddenly—but not suddenly, for a long, an immemorial time—condemned to hell.

"Help," he said, or breathed. "Help, oh help."

He took steps across the rickety bridge beneath which the forest stream foamed. There was a glassless picture framed in an old gilt frame on his kitchen wall (though George had forgotten just now that it was there) which showed just such a dangerous bridge as this, and two children, innocent, unafraid or perhaps unaware of their danger, crossing it hand in hand, a blond girl, a dark, brave boy, while above them, watching, ready to stretch out a hand to them if a loose crosspiece broke or a foot was placed wrong, was an angel: a white angel, crowned with a gold fillet, vapid-faced in gauzy draperies but strong, strong to save the children. Just such a power George felt behind him then (though he didn't dare turn to see it) and, taking Lilac's hand, or was it Sylvie's, he stepped bravely across the creaking slats to reach the other side.

Then came a long, an endless because unremembered time; but at last George gained the top of the ravine, knees torn and hands weary. He came out between two rocks like upraised knees, and found himself—yes!—in a small glade spangled with flowers; and in the near distance, the row of guardian trees. Beyond them, it was clear now, was a fence of wattles, and a building or two, and a curl of smoke from a chimney. "Oh, yes," George said, panting, "oh, yes." Near him in the glade, a lamb stood; the noise George heard was not his own lost heart but its crying voice. It had got caught in some wicked trailfng briar, and was hurting itself to free its leg.

"There, there," George said. "There, there."

"Baa, baa," said the lamb.

George freed its, fragile black leg; the lamb stumbled forward, still crying—it was just newborn, how had it strayed from its mother? George went to it, and picked it up by its legs, he had seen this done but he forgot where, and slung it over his neck, holding it by its feebly kicking feet. And with it turning its silly sad face to try and look into his, he went on up to the gate in the fence of wattles beyond the row of guardian trees. The gate stood open.

"Oh, yes," George said, standing before it. "Oh, yes; I see. I see."

For this was clear enough; there was the small ramshackle house with horn windows, there the byre, there the goat shed; there was the plot of new-planted vegetables, in which someone was digging, a small brown man who when he saw George approach threw down his tool and hurried away muttering. There was the wellhouse and the root cellar, there the woodpile, with its axe upright in the block. And there, the hungry sheep shouldered at their fences, looking up to be fed. And all around the little clearing, there was the Wild Wood looking down, indifferent and dark.

How he had come here he didn't know, any more than he knew now where he had started from; but it was plain now where he was. He was home.

He set down the lamb within the fold, and it skipped to where its mother scolded it. George wished that he could remember, just a little; but what the hell, he'd spent a lifetime in one enchantment or another, or one enchantment in another, in another; he was too old now to worry when it changed. This was real enough.

"What the hell," he said. "What the hell, it's a living." He turned to close his gate of palings, barring it and tying it closely in good husbandry against the dark Wild Wood and what lived there, and, brushing his hands together, went to his door.


Middle of Nowhere

A heaven, Ariel Hawksquill thought, deep within, a heaven no larger than the ball of one's thumb. The island-garden of the Immortals, the valley where we are all kings forever. The rocking, clacking rhythm of the train drove the thought again and again around the track of her mind.

Hawksquill was not one of those who find the motion of trains soothing. Rather it prodded and grated on her hideously, and though a dull rainy dawn looked to be near breaking in the flat landscape beyond the window, she had not slept, though she had given out, on boarding, that she would—that was only to keep the President, for a time, away from her door. When the aged, kindly porter had come to make up her bed, she had sent him away, and then called him back, and asked that a bottle of brandy be brought her, and that no one disturb her.

"Sure you don't want that bed made up, miz?"

"No. That's all." Where had the President's staff found these gentle, bowed black men, who had been old and slow and few even in her own youth? Come to that, where did he find these grand old cars, and where tracks that could still be traveled on?

She poured brandy, grinding her teeth in nervous exhaustion, feeling that even her sturdiest memory mansions were being shaken to earth by this motion. Yet she needed, more than she had ever needed, to think clearly, fully, and not in circles. On the luggage rack above and opposite her was the alligator purse containing the cards.

A heaven deep within, the island-garden of the Immortals. Yes: if it were so, and if it were in fact heaven or someplace like it, then the one thing that could be said with certainty about it was that, whatever other delightful qualities it might have, it must be more spacious than the common world we leave to reach it.

More spacious: skies less limited, mountain peaks less reachable, seas deeper and less plumbable.

But there, the Immortals themselves must dream and ponder too, and take their spiritual exercises, and search for an even smaller heaven within that heaven. And that heaven, if it exist, must be yet more wide, less limited, higher, broader, deeper than the first. And so on . . . "And the vastest point, the center, the infinity—Faëry, where the gigantic heroes ride across endless landscapes and sail sea upon sea and there is no end to possibility—that circle is so tihy it has no doors at all."

Yes, old Bramble might be right, only too simple—or rather too complex, with his fundibular other-worlds with doors attached. No, not two worlds; with Occam's old razor she could slit the throat of that idea. One world only, but with different modes; what anyway was a "world?" The one she saw on television, "A World Elsewhere," could fit without multiplication of entities into this one, it was molecule-thin but whole: it was only another mode, it was fiction.

And in a mode like fiction, like make-believe, existed the land to which her cousins said she was invited to—no, told she must!—joumey. Yes, journey; for if it was a land, the only way to get there was to travel.

All that was clear enough, but no help.

For Chinese heavens and make-believe lands had this in common, that however you reached them, it was your choice so to travel; in fact endless preparations were almost always required for such journeys, and a will or at least a dream of iron. And what had that to do with a mode which, against this world's will, or without anyway asking its leave at all, invaded it piecemeal, siezing an architect's fancy, a pentacle of five towns, a block of slum buildings, a Terminus ceiling—the Capital itself? Which fell on the citizens of this common mode and bore them away, or at least absorbed them willy-nilly in the advancing tide of its own being? The Holy Roman Empire, she had called it; she had been mistaken. The Emperor Frederick Barbarossa was only flotsam borne on this wave that moved the waters of Time, his sleep had been broken into as graves are broken into by the waters of a flood and the dead borne out, he was headed elsewhere.

Unless she, who had no intention of ending up in some place ruled by who knew what masters, masters who might well take her revolt against them very badly, could turn him. Turn him, as a secret agent is turned by the side he is spying on. For this she had stolen the cards. With them she might rule him, or at least make him see reason.

There was one great flaw in that scheme, however.

What a pickle, what a pickle. She glanced up at the purse over on the luggage rack. She felt that her shift against this storm was as hopeless as any, as any sad hopeless shift of those caught in the path of something, something uncaring and oncoming, and far huger than they had imagined. Eigenblick had said it in every speech, and he had been right, and she blind. To welcome it was as futile as to defy it, it would have you anyway if it wanted you, Hawksquill was very sorry she had been smug but still she must escape. Must.

Footsteps: she sorted their progress down the corridor toward her bedroom from the regular clatter of the train wheels' turning.

No time to hide the cards, nowhere better anyway than in plain sight. This was all coming too rapidly to a head, she was after all only an old lady and no good at this, no good at all.

Do not, she counseled herself, do not look toward the alligator purse.

The door was flung open. Holding the jamb in his two hands to steady himself against the train's motion, Russell Eigenblick stood before her. His somber tie was pulled awry, and sweat glistened on his forehead. He glared at Hawksquill.

"I can smell them," he said.

There, there was the flaw in her scheme. She had glimpsed it first in the Oval Office on a certain snowy night. Now she was certain. The Emperor was mad: as mad as any hatter.

"Smell what, sir?" she asked mildly.

"I can smell them," he said again.

"You're up very early," she said. "Too early for a glass of this?" She showed him the brandy bottle.

"Where are they?" he said, stumbling into the tiny chamber. "You have them, now, here somewhere."

Do not look toward the alligator purse. "Them?"

"The cards," he said. "You bitch."

"There's a matter I must speak to you about," she said, getting up. "I'm sorry I was delayed boarding last night until late, but . . ."

He was lunging around the room, eyes shifting rapidly, nostrils flaring. "Where," he said. "Where."

"Sir," she said, drawing up but feeling hopelessness swim up in her, "sir you must listen."

"The cards."

"You're acting on the wrong side." She blurted it out, unable to frame it cleverly, feeling horribly drawn to stare at the purse which he had not seen on the luggage rack. He was tapping the walls for hiding places. "You must listen. Those who made promises to you. They have no intention of keeping them. Even if they could. But I . . ."

"You!" he said, turning to her. "You!" He laughed hugely. "That's rich!"

"I want to help you."

He paused in his search. He looked at her, depths of sad reproach in his brown eyes. "Help," he said. "You. Help. Me."

It had been an unfortunate choice of words. He knew— she could see it in his face—that helping him had never been what Hawksquill had intended, nor was it her intention now. Mad he might be, but he wasn't stupid. The betrayal in his face made her look away. It was apparent that nothing she could say would move him. All he wanted from her now was what was useless to him without her, though even that she couldn't think how to explain.

She found herself staring at them, in their purse on the luggage rack. She could almost see them looking back at her.

She snatched her look away, but the Tyrant had seen her. He made to shove her aside, reaching up.

"Stop!" she said, flinging into the word powers she had once vowed never to use except at deepest need, and for good ends only. The Emperor stopped. He was still in mid-grasp; his bull's strength struggled against Hawksquill's command, but he couldn't move. Hawksquill grabbed the alligator purse and fled from the room.

In the corridor, she nearly collided with the stooped and slow-moving porter. "Ready to sleep, now, miz?" he inquired gently.

"You sleep," she said, and pushed past him. He slid down the wall, mouth open, eyes closed, asleep. Hawksquill, already crossing into the next car, heard Eigenblick roar out in rage and dismay. She shoved aside a heavy curtain that barred her way, and found herself in a sleeper, where at Eigenblick's cry men had awakened and were now pulling aside the curtains on upper and lower berths and looking out, sleepy, alert, pale. They saw Hawksquill. She backed out through the curtain and into the car she had come from.

There, in a niche in the wall, she saw that cord which she had often studied in her train-going, the cord that when pulled in fun or malice set the puller up for a stiff fine. She had never really believed that these slim ropes could actually stop a train, but, hearing steps and clamor in the far car, she pulled it now, and stepped quickly to the door, and grasped its handle.

Within seconds the train came to a thrashing, crashing, jolting stop. Hawksquill, astonished at herself, wrenched open the door.

Rain struck her. They were in the middle of nowhere, amid rainy, dark woods where last hillocks of snow melted. It was fiercely cold. Hawksquill leapt to the ground with a fainting heart and a cry. She struggled up the embankment, hampered by her skirt, hurrying herself lest the impossibility of her doing this at all catch up with her.

Dawn was gray, almost in its paleness more opaque than night. At the top of the embankment, within the woods, panting, she looked back at the dark length of the stopped train. Lights were coming on inside. From the door she had left, a man jumped down, signalling behind him to another. Hawksquill, stumbling in snowobscured undergrowth, ran deeper in. She heard calls behind her. The hunt was up.

She turned behind a great tree and rested her back against it, sobbing painful cold breaths, listening. Twigs crackled, the woods were being beaten for her. A glance around showed her a dim figure, far off to the left, with something blunt, pointed and black in a gloved hand.

Done secretly to death. No one the wiser.

With trembling hands she opened the alligator purse. She clawed out from amid the loose cards a small morocco-leather envelope; Her breath condensing before her made it difficult to see, and her fingers shook uncontrollably. She pulled open the envelope and fumbled within it for the sliver of bone that it contained, one bone chosen from among the thousand-odd bones of a pure black cat. Where was the wretched thing. She felt it. She pinched it between two fingers. A crackle of brush that seemed close by startled her, she threw up her head, the tiny charm slipped from her fingers. She almost caught it as it fell catching along the stuff of her skirt, but her eager hand grasping for it brushed it away. It fell amid snow and black leaves. Hawksquill, crying a hopeless no, stepped unwittingly on the place where it had fallen.

The calling of those who followed her was soft, confident, coming closer. Hawksquill fled from her shelter, glimpsing as she did so the shade of another of Eigenblick's soldiers, or the same one, anyway armed; and he saw her too.

She had never given much thought to what in fact might happen to her mortal body, its soul securely hidden, if fatal things were done to it; if projectiles were passed violently through it, if its blood were spilled. She couldn't die, she was certain of that. But what, exactly? What? She turned, and saw him aim. A shot was fired, she turned to run again, unable to tell if she had been struck or only shocked by the noise.

Struck. She could distinguish the warm wetness of her blood from the cold wetness of the rain. Where was the pain? She ran on, plunging hopelessly out-of-kilter, one leg seemed not to be working. She fell against tall trees, hearing her pursuers guiding each other with brief words. They were quite near.

There were escapes from this, there were other exits she could find, she was sure of it. But just at the moment she could remember none of them.

Could not remember! All her arts were being taken from her. Well, that was just; for she had dishonored them, had lied, had stolen, had sought power with them in her height of pride; she had used powers she had forsworn, for ends of her own. It was quite just. She turned, at bay; she saw on all sides the dark shapes of her pursuers. They wanted to get quite close, no doubt, so as not to make a great fuss. One or two shots. But what would become of her? The pain she had thought not to feel was just now surging up her body, and was ghastly. Pointless to run any more; black mists were passing before her eyes. Yet she turned again to run.

There was a path.

There was a path, quite clear in the twilight. And there—well, she could go there, couldn't she? To that little house in the clearing. A shot jolted her horribly, but as though a shaft of sunlight struck it, the house became clearer: a funny sort of house, indeed the oddest little house that she had ever seen. What house did it remind her of? Gingerbreaded and many-colored, with chimney-pots like comic hats, and cheerful firelight showing in the deep small windows, and a round green door. A welcoming, a friendly green door; a door that just then opened; a door from which a broadly grinning face looked out to welcome her.


Fifty-two Pickup

They shot her, in fact, several times, being superstitious themselves; and certainly she looked as dead as any dead person they had ever seen, the same doll-like, heedless appearance to the limbs, the same vacated face. She didn't move. No cloud of breath condensed above her lips. Satisfied at last, one snatched up the alligator purse, and they returned to the train.

Weeping, shouting hoarse gouts of laughter, with the old cards (mixed backs and faces) pressed in a messy clutch against his bosom, at last, at last, Russell Eigenblick, the President, pulled at the cord which would start the train again. Blinded with fear and joy, he plunged through the cars of the train, almost knocked over when the train with a jolt started up again; the train plunged through his country, swept with rain, breathing clouds of steam. Between Sandusky and South Bend the rain turned unwillingly to snow and sleet and deepened to blizzard; the baffled engineer could see nothing. He cried out when there loomed up before him with great suddenness the mouth of a lightless tunnel, for he knew there could be no tunnel in this landscape, nor had ever been, but before he could take action (what action?) the train had roared into limitless darkness louder and darker even than Barbarossa's triumph.

When it arrived, quite empty of passengers, at the following station (an Indian-named town where no train had stopped for years) the porter whom Ariel Hawksquill had shouldered aside in her haste awoke.

Now what on earth?

He arose, and, slow with forty years' service, walked the train, as astonished at himself for having slept, and at the train for having stopped unscheduled, as at the absence of his passengers.

Midway through the silent cars, he met the white-faced engineer, and they consulted, but said little. There was no one else aboard; there had been no conductor; it was a special train, everyone aboard had known where they were going. So the porter said to the engineer. "They knew," he said, "where they were going."

The engineer returned to his cab, to use the radio, though he hadn't yet decided what to say. The porter continued through the cars, feeling ghostly. In the bar car he found, amid empty glasses and crushed cigarettes, a deck of cards, old-fashioned cards, flung about as though in rage.

"Somebody playin' fifty-two pickup," he said.

He gathered them up—the figures on them, knights and kings and queens such as he had not seen before, seemed to plead with him from their scattered places to do so. The last one—a joker maybe, a character with a beard, falling from a horse into a stream—he found caught in the window's edge, face outward, as though in the act of escaping. When he had assembled them all, and squared them up, he stood unmoving in the car with them in his hands, filled with a deep sense of the world, the whole world, and his place in it, somewhere near the center; and of the value which later ages would put on his standing here alone, at this moment, on this empty train, at this deserted station.

For the Tyrant, Russell Eigenblick, would not be forgotten. A long bad time lay ahead for his people, a bitter time when those who had contended against him would turn, in his absence, to contend with each other; and the fragile Republic would be broken and reshaped in several different ways. In that long contention, a new generation would forget the trials and hardships their parents had suffered under the Beast; they would look back with growing nostalgia, with deep pain of loss, to those years just beyond the horizon of living memory, to those years when, it would seem to them, the sun always shone. His work, they would say, had gone unfinished, his Revelation unmade; he had gone away, and left his people unransomed.

But not died. No; gone off, disappeared, one night between dawn and day slipped away: but not died. Whether in the Smokies or the Rockies, deep in a crater lake or far beneath the ruined Capital itself, he lay only asleep, with his executive assistants around him, his red beard growing longer; waiting for the day (foretold by a hundred signs) when his people's great need should at last awake him again.