Vespasian acknowledged the salutes of the sentries as he walked back through the palisade. He was a soldier’s soldier. He led from the front, celebrating his army’s triumphs and mourning their retreats alongside his men. He’d started from nothing—his father had been a minor customs official and small-time moneylender—but he’d risen to command legions in Britain and Germany. Ignominiously retired by Nero after he fell asleep during one of the Emperor’s interminable musical performances, it was a measure of the seriousness of the situation in Judea that he’d been called back to active service to take personal charge of suppressing the revolt.
He was more worried than he liked to admit about the campaign. His first success—an easy victory at Gadara—might almost have been a fluke because, despite the best efforts of his soldiers, the small band of defenders of Jotapata showed no signs of surrendering, despite being hopelessly outnumbered. And the town was hardly strategically crucial. Once he’d captured it, he knew they’d have to move on to liberate the Mediterranean ports, all potentially much harder targets.
It was going to be a long and bitter struggle, and at fifty Vespasian was already an old man. He would rather have been almost anywhere else in the Empire, but Nero was holding his youngest son, Domitian, as a hostage, and had given him no choice but to command the campaign.
Just before he reached his tent, he saw a centurion approaching. The man’s red tunic, greaves or shin protectors, lorica hamata—chain-mail armor—and silvered helmet with its transverse crest made him easily identifiable among the regular soldiers, who wore white tunics and lorica segmenta—plate armor. He was leading a small group of legionaries and escorting another prisoner, his arms bound behind him.
The centurion stopped a respectful ten feet from Vespasian and saluted. “The Jew from Cilicia, sir, as you ordered.”
Vespasian nodded his approval and gestured toward his tent. “Bring him.” He stood to one side as the soldiers hustled the man inside and pushed him onto a wooden stool. The flickering light of the oil lamps showed him to be elderly, tall and thin, with a high forehead, receding hairline and a straggly beard.
The tent was large—almost as big as those normally occupied by eight legionaries—with separate sleeping quarters. Vespasian removed the brooch that secured his lacerna, the purple cloak that identified him as a general, tossed the garment aside and sat down wearily.
“Why am I here?” the prisoner demanded.
“You’re here,” Vespasian replied, dismissing the escort with a flick of his wrist, “because I so ordered it. Your instructions from Rome were perfectly clear. Why have you failed to obey them?”
The man shook his head. “I have done precisely what the Emperor demanded.”
“You have not,” Vespasian snapped, “otherwise I would not be stuck here in this miserable country trying to stamp out yet another rebellion.”
“I am not responsible for that. I have carried out my orders to the best of my ability. All this”—the prisoner gestured with his head to include Jotapata—“is not of my doing.”
“The Emperor does not agree, and neither do I. He believes you should have done more, far more. He has issued explicit orders to me, orders that include your execution.”
For the first time a look of fear passed across the old man’s face. “My execution? But I’ve done everything he asked. Nobody could have done more. I’ve traveled this world and established communities wherever I could. The fools believed me—they still believe me. Everywhere you look the myth is taking hold.”
Vespasian shook his head. “It’s not enough. This rebellion is sapping Rome’s strength and the Emperor blames you. For that you are to die.”
“By crucifixion? Like the fisherman?” the prisoner asked, suddenly conscious of the moans of the dying men nailed to the Tau crosses beyond the encampment.
“No. As a Roman citizen you will at least be spared that. You will be taken back to Rome under escort—by men I can ill afford to lose—and there you will be put to the sword.”
“When?”
“You leave at dawn. But before you die, the Emperor has one final order for you.”
Vespasian moved to the table and picked up two diptychs—wooden tablets with the inside surfaces covered in wax and joined with wire along one side as a rudimentary hinge. Both had numerous holes—foramina—pierced around the outer edges through which triple-thickness linum had been passed, thread that was then secured with a seal bearing the likeness of Nero. This prevented the tablets being opened without breaking the seal, and was common practice with legal documents to guard against forgeries. Each had a short note in ink on the front to indicate what the text comprised, and both had been personally entrusted to Vespasian by Nero before the general left Rome. The old man had seen them many times before.
Vespasian pointed to a small scroll on the table and told the prisoner what Nero expected him to write.
“And if I refuse?” the prisoner asked.
“Then I have instructions that you are not to be sent to Rome,” Vespasian said, with a smile that didn’t reach his eyes. “I’m sure we can find a vacant stipes you can occupy here for a few days.”
A.D. 67-69 Rome, Italy
The Neronian Gardens, situated at the foot of what are now known as the Vatican Hills, were one of Nero’s favored locations for exacting savage revenge on the group of people he saw as the principal enemies of Rome—the early Christians. He blamed them for starting the Great Fire that almost destroyed the city in A.D. 64, and since then he’d done his best to rid Rome and the Empire of what he called the Jewish “vermin.”
His methods were excessive. The lucky ones were crucified or torn to pieces by dogs or wild animals in the Circus Maximus. Those he wanted really to suffer were coated in wax, impaled on stakes placed around his palace and later set on fire. This was Nero’s idea of a joke. The Christians claimed to be the “light of the world,” so he used them to light his way.
But Roman law forbade the crucifixion or torture of Roman citizens, and that rule, at least, the Emperor was forced to obey. And so, on a sunny morning at the end of June, Nero and his entourage watched as a swordsman worked his way steadily down a line of bound and kneeling men and women, beheading each one with a single stroke of his blade. The elderly man was the second to last and, as specifically instructed by Nero, the executioner slashed at his neck three times before his head finally tumbled free.
Nero’s fury at the failure of his agent extended even beyond the man’s painful death, and his body was unceremoniously tossed into a cart and driven miles out of Rome, to be dumped in a small cave, the entrance then sealed by rocks. The cave was already occupied by the remains of another man, another thorn in the Emperor’s side, who had suffered crucifixion of an unusual sort three years earlier, at the very start of the Neronian Persecution.
The two diptychs and the small scroll had been handed to Nero as soon as the centurion and his Jewish prisoner arrived in Rome, but for some months the Emperor couldn’t decide what to do with them. Rome was struggling to contain the Jewish revolt and Nero was afraid that if he made their contents public he would make the situation even worse.
But the documents—the scroll essentially a confession by the Jew of something infinitely worse than treason, and the contents of the diptychs providing unarguable supporting evidence—were clearly valuable, even explosive, and he took immense care to keep them safe. He had an exact copy made of the scroll: on the original, he personally inscribed an explanation of its contents and purpose, authenticated by his imperial seal. The two diptychs were secreted with the bodies in the hidden cave, and the original scroll in a secure chest in a locked chamber in one of his palaces, but the copy he kept close to him, secured in an earthenware pot just in case he had to reveal its contents urgently.